Novation’s flagship two-part 16-voice 61-key polyphonic synthesizer
Summit’s digital New Oxford Oscillators offer subtractive, FM, and wavetable synthesis, and feed into genuine analog dual filters, distortion, and VCAs. The multitimbral engine enables merging and combining of two complete and independent patches, while up to 16 simultaneous voices deliver enough harmonic depth for even the richest of pads.
The best sounding synthesizer Novation has ever made
Summit doubles the power of Peak’s digital New Oxford Oscillators up to 16 voices and two parts, and adds a wealth of new features and a premium-quality five-octave keyboard. A synth much greater than the sum of its parts, it gives the serious producer or performer everything they need to design and play stunning basses, leads, arps, pads, effects, and beyond.
Totally tactile sound design
Summit takes Peak’s architecture and workflow to new heights, with a swathe of extra front panel controls for hands-on wrangling of FM, effects, LFOs, and more; dual filters with six LP/HP/BP combinations; audio input for processing external sources with the onboard effects; and auxiliary audio outputs.
Analog where it matters
The true stereo analog signal path comprises dual analog multimode filters, analog VCAs, and three stages of analog distortion – pre- and post-filter, and post-VCA. With roots in the legendary OSCar, via Bass Station II, Summit’s analog credentials are truly impressive.
The Wavetable Editor unleashes the power of the wavetable oscillators. It features drawing tools and a Live Edit mode, so you can draw your own oscillator shapes and preview them in real-time. Audio import lets you load in your own audio to be used as the oscillator waveform. Included is a curated selection of space-themed audio from the NASA sound library, plus exclusive content from production giants Noisia.
Two Peaks in one synth – and then some
The 16-voice, multitimbral engine combines two simultaneous patches. Split or stack them for keyboard-divided or layered sounds, or switch the entire synth between two separate and independently controlled setups, perhaps using one as an effects processor for an external input source.
Also, Summit can use all your Peak patches
Novation’s best keyboard ever
Five-octave, semi-weighted, velocity-sensitive keyboard with aftertouch – the same premium-quality keybed as introduced with Novation’s SL MkIII controller keyboard.
Digital New Oxford Oscillators are capable of subtractive, FM, and wavetable synthesis. Waveforms are generated directly on the FPGA (Field Programmable Gate Array) chip, using 24MHz bitstream processing; and adjustable drift and divergence emulate the inherent and often desirable instability of analog circuits.
True analog filters and distortion
The New Oxford Oscillators output to true analog filters, with origins in the classic OSCar synth, and three stages of analog distortion give you ample saturation options.
Summit’s dual filter is switchable between six paired combinations of low-pass, high-pass, and band-pass modes at 12dB/octave, or any single mode at 24dB/octave, for a broad range of sonic possibilities.
Hands-on sound design
Packed with modulation sources for deep sound design – LFOs, envelopes, Animate buttons, and more. Extended controls see
FM parameters, envelope loop switches, and LFOs 3/4 moved from Peak’s menu system to the front panel, for easy programming and tweaking.
Audio in and auxiliary audio out
Hook up external instruments for processing with Summit’s onboard effects, while using it as a synth at the same time.
Onboard reverb, chorus, and delay effects are hosted on the FPGA. They’re also controlled directly from the front panel, and available as modulation targets in the dedicated FX Mod Matrix.