Slate Digital VRS-8 + ML-1 Large Diaphragm Microphone

$2,498.00

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8-channel VRS-8 Virtual Analog audio interface and ML-1 large-diaphragm condenser micslate-digital-everything-bundlev2

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SKU: VRS8SDVRSML-1 Categories: , Brand:

Slate Digital VRS-8 + ML-1 — Eight channels of incredibly linear preamps meet mastering quality conversion and virtual vintage mic and preamp models to turn your home studio into a world-class facility—bundle includes the ML-1 large-diaphragm condenser

The Slate Digital VRS-8 is more than an audio interface. It’s a virtual recording studio that gives you eight channels of mastering quality conversion, eight channels of Slate’s ultra low-noise, ultra linear VMS-One preamps, which, when used with Slate Digital’s ML-1 and ML-2 microphones plus a free year’s subscription to the Everything Bundle, gives you the sonic capabilities of a world-class recording facility. With a Slate Digital VRS-8 in your rack, imagine the possibilities for recording multiple channels with Slate’s astonishingly realistic models of recording’s most used and desired preamps and vintage mics. And with Slate’s ML-1 and ML-2 microphones, you can literally and realistically change the sonic characteristics of the mics from vintage to modern and anything in between—without re-tracking! Watch the video above to hear the Slate Digital VRS-8 Virtual Analog interface in action.

Slate Digital VRS-8 + ML-1 bundle in one take:

  • Eight Ultra Linear VMS-One mic preamps
  • Mastering-quality conversion with Slate’s Low-latency Native™, custom hard-wired converter chipset
  • ML-1 ultra flat and linear large-diaphragm condenser mic
  • Free one-year subscription Slate Everything Bundle and ML-2 mic 5-pack discount

INSIDE THE BOX—Slate Digital VRS-8

Aware that they were “late to the party” when in came to introducing an audio interface to the marketplace, Slate Digital knew that the VRS-8 couldn’t be just another “me too” product—it had to be something special—so they loaded it with more pro features and technical advancements than any other interface in its class, and at a far lower cost. The VRS-8 features eight VMS ultra linear microphone preamps; mastering grade, AK5578 converters, the most transparent chips currently available with 124dB dynamic range on all inputs; high-end circuit design featuring boutique OPA1612 op-amps on all inputs and outputs; WIMA capacitors; two high-quality, discrete headphone amplifiers, and last but by no means least, the lowest latency of any native solution (down to 0.7 ms at 96kHz!). The VRS-8 also features built-in monitor switching, native MIDI IO, for accurate MIDI timing that doesn’t use the USB bus, and is compatible with Thunderbolt (for Mac) and PCIe (for PC).

Eight Ultra Linear VMS-One mic preamps

The key to unlocking the true sonic capabilities of the VRS-8 virtual studio are its eight ultra Linear microphone preamps. Designed by audio legend Paul Wolff of API and Tonelux fame, who gave us the 550B EQ, 512A and 3124 preamps, the VMS-One preamps are the flattest and most linear preamps available, as proven by the Audio Precision analyzer, the gold standard for evaluating electronics. The VMS-One is as close to a straight wire with gain as you’ll get, which gives you a blank canvas to emulate microphones and preamps via the Slate plug-ins, since they introduce no coloration of their own—allowing the plug-ins to work their magic without obstruction.

Mastering-quality conversion with custom hard-wired chipset

To give you performance rivaling ADA converters costing exponentially more, Slate Digital created the proprietary, LLN™ (Low Latency Native) hard-wired custom converter chipset that reduces managed components in the signal path, eliminating latency from firmware and software, making a direct path from driver to audio. The result is an incredible 0.7 milliseconds of latency at 96K (with a 32 sample buffer)—allowing you to monitor through mic and preamp emulations while tracking—both obviating and outperforming expensive outboard DSP.

On the component level, Slate chose the flagship AKM AK5578 converters, which are the most transparent chips available, offering an industry-best 124dB dynamic range on all inputs. For ultra-stable audio performance, the VRS-8 uses XTC satellite-grade clocking technology, with four temperature-compensated crystal oscillators.

OUTSIDE THE BOX—Slate Digital VRS-8

Of Mice and Menus—Until we can interface our brains directly to a DAW, trying to control preamps on the fly in software is tedious and clumsy at best. It’s simply easier to reach for a knob, which is why the VRS-8 has eight front-panel preamp level controls with Pad switch. The front panel also has phantom power toggles for channels 1-4 and 5-8, two convenient 1/4″ inputs, with line/instrument switches, two headphone outputs with independent level controls, a rotary monitor level control, and power switch.

Slate Digital VRS-8 Front at Westlake Pro

Slate Digital VRS-8 Back at Westlake Pro

The rear panel of the VRS-8 has dual Thunderbolt ports, PCIe connector, Mix Link I/O for cascading VRS-8s for more channels, standard MIDI I/O, Word Clock I/O, eight 1/4″ line outputs, eight XLR/1/4″ combo jacks, and receptacle for the external power supply.

Slate VRS-8 + ML-1 Bundle features:

  • Eight Ultra-Linear VMS-One mic preamps, ideal for Slate’s microphone and preamp emulations
  • ML-1 ultra flat, ultra linear large-diaphragm condenser mix
  • Professional-quality conversion technology that incorporates the most current converters from AKM, providing an impressive, industry-leading dynamic range of 124dB per channel
  • Satellite-grade XTC clocking technology that utilizes four temperature-controlled crystal oscillators to keep your audio ultra-stable
  • Two headphone amplifiers
  • Built-in monitor switching
  • Custom Low Latency Native hard-wired converter chipset that reduces audio path components for an incredible 0.7 millisecond latency, even while tracking
  • Native MIDI IO provides accurate MIDI timing without using a USB bus
  • Compatible with both Mac (via Thunderbolt) and PC (via PCIe)

ml-1-ml-2

ML-1 large-diaphragm condenser microphoneSlate Digital VMS ML-1

The ML-1 is an extremely high definition, ultra linear microphone with extremely precise, transparent reproduction, flat frequency response, and super-wide bandwidth. What that means is that the response of the microphone is free of dips and hypes in the frequency range, as well as coloration from components. The ML-1 is a “what you hear is what you get” mic that captures sound as true to the source as possible. This provides a blank slate (if you will) for the software to add the coloration that made those vintage mics so desirable. Of course, there are certain factors in condenser mic design that still need to be taken into account, such as proximity effect from cardioid polar patterns. To enable the software to accurately reproduce the response of the classic tube condensers, the capsule of the ML-1 precisely replicates the classic cardioid of vintage large-diaphragm mics. In short, a perfect marriage of analog response and digital modeling.

One Free year of the Everything Bundle from Slate

To let you take full advantage of its sonic capabilities right out of the box, the VRS-8 comes with a free one-year subscription to the Slate Digital Everything Bundle. For a ridiculously low yearly subscription fee, the Everything Bundle opens up a sonic palette that previously was only accessible to a very select few who were capable of the million-dollar entry fee to world-class recording equipment. From tape emulation without the noise (unless you want it) to emulations of industry-defining consoles, EQs, compressors, delays, and more, the EB plug-ins respond dynamically, the way you expect their analog counterparts to behave.

slate-digital-everything-bundle-image

The Everything Bundle hands you the keys to a virtual museum of classic and modern gear. if you listen to the audio examples in the video above, you’ll hear that Slate puts his money where his modeling is. Not only do the Everything Bundle plug-ins give you stunningly accurate reproductions of the most used hit-making gear, they add a three-dimensional quality that previously was only attainable in analog equipment.

If you’ve ever dreamed of owning a world-class studio but didn’t have the requisite million dollars for equipment, it’s Christmas and Steven Slate is Santa Claus—put a VRS-8 + ML-1 in your toy sack or studio rack. For more information, call or chat with your Westlake Pro sales consultant today.

Additional information

Bit Depth

24-bit

Monitor Outs

4

Sample Rate

96kHz

I/O

10 in x 8 out

Work Clock

Yes

Preamps

8

Phantom Power

Yes

Connection Type

Thunderbolt 2/PCIe

Pro Tools HD

No

Headphone Jack

2

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