Description

The ultimate studio front-end, Camden EC2 combines award-winning mic/line/hi-z
preamps with Cranborne Audio’s acclaimed Mojo analogue saturation circuits and two
reference-quality headphone amplifiers with discrete line mixers.

Award Winning Pedigree
Based on the award-winning Camden 500 Preamp and Signal Processor for the 500 series
lunchbox format, Camden EC2 combines the sonic capabilities of one of the markets
cleanest and most transparent preamps with the flexibility of a standalone, 1u, 19” chassis
that can integrate into any recording setup with or without 500 series connectivity.

Featuring two discrete instances of Cranborne Audio’s ‘Camden’ preamp topology, Camden
EC2 achieves unprecedented low-noise and low-distortion performance as well as
frequency and phase linearity at all gain settings.

Use Camden EC2 to capture your audio sources with complete transparency; boost
low-sensitivity microphones without adding noise and colouration; and capture instant and
coherent transients without phase shift that cause summing abnormalities. Camden EC2’s
preamps exhibit performance specifications that rival (and in most cases, exceed) the most
revered ‘transparent’ preamps on the market.

The 12-way rotary Gain switches for each preamp provide perfect stereo matching for stereo
mic’ing setups and it’s dedicated mic, line, and hi-z input modes allows Camden EC2 to not
only become your go-to mic preamp, but also a line-level saturator and dual-channel DI
thanks to dedicated 1⁄4” jack Link outputs for each channel.

Vintage Persona
Using it’s Mojo analogue saturation controls, both of Camden EC2’s preamps transform
from extraordinarily clean, natural, and precise sounding, into thick, gooey, and
vintage-sounding preamps at the turn of a dial.

With two discrete Mojo styles per channel, Camden EC2 takes on the persona of vintage
transformer-based preamps using its Thump Mojo or gooey tube-based preamps using its
Cream Mojo.

Unlike transformer or valve-based preamps, Mojo’s saturation is completely variable
allowing you to dial-in the amount of saturation you need for each source. Keep it at 3-4 for
authentic preamp saturation or crank it up to 11 for a more exaggerated effect!

Perhaps most crucially and unlike transformer-based preamps, when you need something
clean and transparent for a particular session/source, Mojo can be completely bypassed and

removed from the signal using the pots’ built-in, true-bypass switch to reveal the true
clarity of the Camden preamp design.

Record through Mojo to apply instant analogue colouration during tracking or send
line-level sources through the Mojo to add vintage colouration to your DAW tracks or stereo
bus during the mix phase.

Advanced Tracking And Reamping Tool
Two reference-quality headphone amplifiers with independant line mixers allow for direct
monitoring of both Camden preamps using headphones connected directly to Camden
EC2’s front panel.

Monitor the preamp signals directly using headphones during mic placement to find the
sweet spot of the instrument/source or create zero-latency artist mixes by combining the
preamps with external playback from the Aux Input jacks on Camden EC2’s rear panel.

With its extraordinary hi-z circuit and dedicated 1⁄4” jack Link outputs for each channel,
Camden EC2 is the perfect tool for reamping bass and electric guitars.

Simply connect your instrument to one preamp using its hi-z input, connect the 1⁄4” Link
output of that preamp to your amplifier/effects pedals and capture that signal using the
second preamp. With both the dry DI and wet amplified signals recorded simultaneously
using both preamps on Camden EC2, you can process the affected signal further or reamp
the dry DI signal at a later date.

C.A.S.T. Enabled
Camden EC2 also utilises Cranborne Audio’s unique C.A.S.T. system for distributing audio
around the studio or stage using affordable Cat 5e, Cat 6, or Cat 7 cabling whilst achieving
the highest sonic results.

Connect Camden EC2’s C.A.S.T. OUT port to Cranborne Audio’s 500R8 or 500ADAT, and you
can send Camden EC2’s preamps directly to the interface’s inputs ready for further
processing and recording. At the same time through the same cable, 500R8/500ADAT
transmit their built-in monitor mix directly to Camden EC2’s headphone mixer for
monitoring.

This allows 500R8/500ADAT users to relocate their Camden EC2’s preamps and headphone
amps into the live room using a single Cat 5e, Cat 6, or Cat 7 cable whilst freeing-up 500
series slots in 500R8/500ADAT for more EQ and Compressor modules and extra processing
before hitting 500R8/500ADAT’s converters.

Connect Camden EC2’s C.A.S.T. IN port to Cranborne Audio’s N22 or N22H and you have a
cost-effective analogue snake – use N22 or N22H to easily relocate Camden EC2’s preamp
inputs to a remote location such as a vocal booth, live room, hallway, or reverb chamber
using Cat 5e as cheap, high-quality, analogue multicore.

Meticulously Designed and Engineered In The UK

With an abundance of I/O available, Camden EC2 facilitates the maximum amount of
flexibility with all 3rd party audio interfaces and recorders by including dedicated XLR
outputs, Impedance balanced 1/4” jack outputs, and Link outputs when using Camden EC2
as a DI.

So much more than two Camden 500’s in a metal box, Camden EC2 is another Cranborne
Audio product engineered and designed under the team’s watchful eyes. Camden EC2
features elite audio specifications and application-based features that defies its price tag
and is accessible for professional, project, and home studio engineers.

Key Features:

• Two discrete mic/line/hi-z preamps featuring the award-winning ‘Camden’ topology from
  the Camden 500 Preamp and Signal Processor for 500 series
• Audio performance at the near-theoretical limits of noise, distortion, and phase/frequency
  linearity at all gain settings
• Unique 48v status LED
• Two instances of Mojo analogue saturation circuits with variable control, true bypass, and 2
  discrete styles – Thump and Cream
• Two discrete headphone mixers with independant CH 1, CH 2, and Aux Input level controls
• Two reference-quality, high-powered headphone amplifiers
• Balanced XLR outputs and impedance balanced 1/4” jack outputs for maximum
  connectivity into audio interfaces and other downstream equipment
• Dedicated Impedance balanced 1/4″ jack Link outputs for true instrument DI functionality
  and splitting instrument inputs to balanced or unbalanced amplifiers and effects
• C.A.S.T. OUT port for connecting Camden EC2 into 500R8/500ADAT
• C.A.S.T. IN port for connecting N22/N22H Cat 5 snakes to relocate Camden EC2 I/O
  elsewhere in the studio
• External high-current 24v, 1.25a power supply with latching connector