Description

This expansion card is designed for use with the Avid Pro Tools | MTRX – Call 323-845-1145 to learn more about what MTRX can do for your workflow.

Stereo AES3 I/O expansion card adds 16 channels of AES3 digital I/O with built-in sample rate conversion

 The MTRX 8 AES3 option card is a four stereo-in by four stereo-out, full-length PCIe I/O card, featuring automatic sample rate conversion, so that all signals entering and leaving the MTRX appear at the same time, regardless of sample rate—just as though you were working with analog. The MTRX 8 AES3 I/O card has a 25-pin D-Sub connector with Tascam pin-out, and also comes with a breakout cable to connect with equipment that has XLR AES/EBU ports. The Pro Tools | MTRX base unit lets you use all eight of its expansion ports for MTRX AES3 I/O option cards. AES3 is the professional means to send and return effects, bridge between digital consoles, power amps, Dante network, and other AES-equipped audio gear.

 Avid Pro Tools | MTRX 8 AES3 I/O card in one take:

• Add eight line AES3 inputs and outputs (16 channels)
• Built-in, automatic sample rate conversion
• Comes with AES3 breakout cable

Avid Pro Tools | MTRX 8 AES3 I/O card features/specs:

• Digital I/O formats: AES/EBU, Pro Tools DigiLink Mini, Dante IP Audio
• Supported sample rate: Up to 192kHz MADI/up to 384kHz, and DSD
• Synchronization: AES11, Word Clock, all digital inputs; Video Sync (word clock connector) / PAL, NTSC, SECAM
• DSD sample rates: 8224 and 5.6448MHz (64 / 128FS)
• Dynamic range (A): > 128dB
• THD+N(A): < –110dB @ –3dBFS / 0.00031%
• Cross talk: < 120dB
• Max output level: Adjustable from –60dBu to 24dBu in steps of 0.1dB

If you have a lot of AES3-equipped outboard, the Pro Tools | MTRX can add AES3 channels, even as you add equipment. For more information, call or chat with your Westlake Pro sales consultant today.

Avid Pro Tools | MTRX Full Feature List

Amazing 64-channel Pro Tools HD interface with massive routing matrix, extensive monitor control, and precision DAD conversion, can be the nerve center of any studio—regardless of audio format, size, or existing I/O

• Capture and play back audio in the highest audio quality possible—up to 384kHz PCM and DSD64/DSD128
• Customize the interface for your needs, whether you want 48 analog channels, 64 digital, or something in between
• Choose from a wide variety of I/O, including mic pres, Dante, MADI, AES3, and 3G-SDI
• Get the versatility you need to connect with the widest array of gear, devices, and environments
• Use as a 64-channel interface to Pro Tools | HD or standalone
• Gain flexible routing and monitoring control with the included DADman software and Pro | Mon 2
• Use one interface for multiple applications, including music recording, Dolby Atmos, live sound, multi Pro Tools post workflows, monitor control, and more
• Remotely control up to 48 mic preamps per interface from both DADman and Pro Tools | S6
• Configure your monitor section as you need it with multiple speaker sets
• Build custom fold-down templates to instantly switch between monitor formats
• Sum stems and sources to feed monitor outputs using Pro | Mon as a 256 x 32 summing mixer
• Work with multiple audio formats, from mono and stereo, to 64 channels of audio output
• Get a quick glimpse into your signal status and session activity on the front- panel display