Take on the largest music and audio productions with a powerful studio centerpiece that offers exceptional sound quality, I/O customizability, and extensive routing and monitoring control in one interface. Designed for Pro Tools | HDX and other DAWs, Pro Tools | MTRX II builds on the versatility of its predecessor, providing integrated DigiLink, Dante, MADI, and SPQ Speaker Processing, plus eight card slots to house all the analog and digital I/O you need. Connect anything to everything with the massive 4,096 x 4,096 router. Add 256 channels of native DAW connectivity with the Thunderbolt 3 option. And monitor full Dolby Atmos theatrical monitoring with its expanded 512 x 64 summing mixer.
Pro Tools | MTRX II is a powerful studio centerpiece that builds on the I/O, routing, and monitoring versatility of its predecessor. With integrated DigiLink, Dante, MADI, and SPQ Speaker Processing, eight I/O card slots, and 256 channels of optional Thunderbolt 3 connectivity, you can take on the largest music and audio productions with ease.
Pro Tools | MTRX II not only comes with 64 channels of built-in DigiLink I/O, 256 channels of Dante, and 64 channels of MADI, it’s fully modular. Configure its eight card slots with all the analog, digital, and additional DigiLink, Dante, and other I/O you need (the same option cards as MTRX) to support any artist, ensemble, or workflow. Add Thunderbolt 3 connectivity. Replace multiple single-format interfaces taking up rack space. Route any signal between different I/O formats. And connect multiple HDX systems and DAWs together with a single interface.
Building on the MTRX legacy, MTRX II delivers the cleanest, most transparent, and highly detailed AD and DA conversion of any audio interface. This enables you to capture vocals and acoustic instruments without any coloration—exactly as the sources sound—and then monitor your mix in all its sonic glory through some of the highest quality audio converters in the industry.
With integrated SPQ Speaker Processing, DADman Pro | Mon for monitor calibration and control, and the expanded 512 x 64 summing mixer, MTRX II will satisfy all of your monitoring needs. Calibrate your speakers to compensate for their acoustic response in any room with up to 16 filters per monitor channel. And get up to 128 channels of room correction, each with adjustable delay and filters, from stereo to multistem Dolby Atmos summing.
With 256 integrated Dante channels, you can connect your Pro Tools | HDX system to any Dante network—the industry’s preferred audio over-IP-solution. Not only is Ethernet economical—especially where long cable runs are required—it allows for a more versatile bi-directional workflow that leverages your facility’s Ethernet infrastructure to route audio between multiple rooms and devices.
Pro Tools | MTRX II is fully modular, enabling you to customize it with up to eight analog and/or digital audio I/O option cards (sold separately). Install the maximum eight AD and/or DA cards to support up to 64 analog channels, design an all-digital box, or create any combination between.
Enables 256 channels of native low-latency I/O connectivity and routing between multiple Core Audio based DAWs, including Pro Tools.
Adds eight channels of line-level analog inputs
Adds eight line AES3 inputs and outputs (16 channels),
with built-in sample rate conversion
Adds two channels of analog inputs and mic preamps with relay-based gain circuit—an ideal low-cost option for talkback and tracking
Adds 2 x 16 channels of SDI/HD/3G connections (embed/de-embed) with built-in sample rate conversion
Adds eight channels of analog inputs and mic preamps with relay-based gain circuit
Adds up to 128 channels of high-density, low-latency digital audio using Dante (128 channels at 41.1/48 kHz, 64 channels at 88.2/96 kHz, or 32 channels at 176.4/192 kHz)
Adds eight channels of line-level analog outputs with an output level control
Adds 128 channels of MADI inputs and outputs through two optical SFP ports
Adds 64 channels of DigiLink I/O through two DigiLink Mini ports
Adds an additional one or two 64-channel I/O coaxial or optical MADI module to the chassis
Fully customizable I/O with eight option card slots; install up to eight total analog, DigiLink, and/or digital I/O cards
Optional I/O (sold separately)
8 Mic/Line Pristine AD input card (DB25)
2 Mic/Line Pristine AD input card (DB25)
8 Line Pristine AD input card (DB25)
8 Pristine DA output card (DB25)
64-channel DigiLink I/O card (two DigiLink Mini ports) at all sample rates
Thunderbolt 3 Option Module (enables up to 256 channels of native low-latency I/O at 44.1/48 kHz and 88.2/96 kHz, 128 channels at 176.4/192 kHz, and 63 channels at 384 kHz to Pro Tools and other Core Audio DAWs)
128-channel IP Audio Dante card with built-in SRC
128-channel Dual MADI I/O card
8 AES3 I/O card (16 mono channels)
2 x 16-channel Dual SDI/HD/3G card with built-in SRC
4,096 x 4,096
512 x 64 (supports full theatrical Dolby Atmos mixing)
Built-in SPQ speaker processing with 256 filters on 16 channels; delay management adjustable up to 150 ms per channel
Pro Tools, Logic Pro, Cubase, and other Core Audio workstations
Word Clock/video black burst (VBB) via BNC connectors, Dante Sync, Digital Inputs
44.1 kHz–384 kHz
2U 19” rack-mountable unit
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